About the artist

Blending in at home, in a Finnish silver birch grove, just after Midsummer in July 2024. Photo: Katja Immonen

Another home, another kind of forest. Albion Street, Bulleke-Bek/Brunswick, Victoria, Australia.

Inari Kiuru is a multidisciplinary artist, designer and a mother of two young children, living and working in Bulleke-Bek/Brunswick, Victoria. She’s known for her innovative, experimental use of non-precious materials such as concrete, steel and industrial enamel, and for her installations and photographs of locally found discarded objects. Inari has also designed and produced a living, permanent air-purifying indoor forest.

The key themes in Inari’s work are linked with her Scandinavian heritage, arising from her intrinsic longing for a connection with nature, and the tendency to sensitively observe the weather and seasonal changes. The core of Inari’s practice is revealing beauty in ordinary everyday things.

The key themes in Inari’s work are linked with her Scandinavian heritage, arising from her intrinsic longing for a connection with nature, and the tendency to sensitively observe the weather and seasonal changes. The core of Inari’s practice is revealing beauty in ordinary everyday things.

Inari has Honours degrees in Visual Communication (Curtin 2002) and Fine Art (Object Design, RMIT 2013), and has exhibited images and objects in curated group exhibitions in Australia, Europe and the USA since 2013. In Australia Inari is represented by Funaki, and her work has been acquired by national and international public collections. She is currently collating and a designing a book of her work, and working towards her first solo show. 

Gallery representation: Funaki.

CV / fine art

Exhibitions & projects in 2025-26

Essays, article & interviews

‘Eye, the beholder’. On the practice of regular walking, local seasonal observations and documenting discarded matter. Inari Kiuru (2023). Deep Material Energy, Australian Design Centre. 

‘Paris’s Musée des Arts Décoratifs celebrates avant-garde jewellery design’. A review on an exhibition including Kiuru’s brooches acquired to the museum collection. Minako Norimatsu (16 April 2024). The Wall Paper Magazine. 

‘New Spring, Old Gods: Adornment for the people of the bear’. On the series of jewellery and images based on Finnish ancient nature-based beliefs and rituals. Inari Kiuru (5 October 2021). Garland Magazine.

‘A Well-worn Country’. A key essay for the ADC’s three year touring exhibition Made/Worn focusing on Australian contemporary jewellery. Dr Kevin Murray (2020). Australian Design Centre. 

‘Indoor garden clears the air as plants inhale the nasties in our midst’. Kiuru’s interview about her permanent, living forest installation at Northcity4. Megan Backhouse (28 November 2016). The Sydney Morning Herald. 

‘The Victory of Non-precious Handwork: The Marzee Graduation Exhibition 2011’. Liesbeth den Besten (14 November 2011). Art Jewelry 

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Visual diaries & blog